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You will discover that an extensive description of The Alamo below:
- Original Title : The Alamo
- Movie title in your country : The Alamo
- Year of movie : 2004
- Genres of movie : Western, History, War,
- Status of movie : Released
- Release date of movie : 2004-04-07
- Companies of movie : Imagine Entertainment, Touchstone Pictures,
- Countries of movie : United States of America,
- Language of movie : English, Español,
- Durationof movie : 137 Min
- Average vote of movie : 5.8
- Youtube ID of movie : eI5JKD9OKR8
- Translation of movie : EN,RU,PT,HU,FR,ES,SV,NL,CS,HE,TR,FI,PT,DE,IT,
- Cast of movie :Emily Deschanel (Rosanna Travis), Joe Stevens (Mial Scurlock), Jordi Mollà (Juan Seguin), Emilio Echevarría (Antonio Lopez de Santa Ana), Billy Bob Thornton (Davy Crockett), Estephania LeBaron (Juana), Stephen Bruton (Captain Almeron Dickinson), Leon Rippy (Sgt. William Ward), Patrick Wilson (William Travis), Marc Blucas (James Bonham), Kevin Page (Micajah Autry), Dennis Quaid (Sam Houston), Tommy Davidson (Colonel Green Jameson), Jason Patric (James Bowie), Robert Prentiss (Albert Grimes), Ricardo Chavira (Private Gregorio Esparza), Steven Chester Prince (Lieutenant John Forsythe), Elena Hurst (Stunning Tejana), Laura Clifton (Susanna Dickinson), Brandon Smith (Lieutenant Colonel J.C. Neill)
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The Alamo is better movie manufacured by Imagine Entertainment, Touchstone Pictures, working with a description of the movie is "Based on the 1836 standoff between a group of Texan and Tejano men, led by Davy Crockett and Jim Bowie, and Mexican dictator Santa Anna's forces at the Alamo in San Antonio, Texas.". The film was produced with excellent graphic quality, best ear busting sound quality and best starring actors.
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Camera Loader : Victoria Gonzales, Still Photographer : Deana Newcomb, Stand In : Bert Beatson, Makeup Artist : Angela Angel, First Assistant Editor : Don Thompson, Visual Effects Supervisor : Craig Barron, Dolly Grip : John Murphy, Visual Effects Editor : Ken Rogerson, Propmaker : Ross Macdonald, Utility Sound : Kay Colvin, Costume Design : Daniel Orlandi, Set Designer : Randall D. Wilkins, Sound Effects Designer : Charles Maynes, Carpenter : Steve Allen, Video Assist Operator : Roger Basquette, Second Unit : Phil Neilson, Studio Teachers : Laura Gary, Special Effects Coordinator : Larz Anderson, Foley : Alyson Dee Moore, Chef : Joel Poage, Transportation Captain : Lonnie Nelson, Production Supervisor : Richard E. Chapla Jr., Producer : Ron Howard, Set Costumer : Yvonne Wilburn, Associate Producer : K.C. Hodenfield, Color Timer : Steve Bowen, Stunt Coordinator : Phil Neilson, Original Music Composer : Carter Burwell, Leadman : Shane Patrick, Editor : Eric L. Beason, Set Costumer : Stephany Baskin, Construction Coordinator : Tom Ward, Location Scout : Mateo Barnstone, Painter : Gloria Ciraolo, Location Manager : Eric A. Williams, Visual Effects Producer : Kip Larsen, Choreographer : Jerry Evans, Visual Effects : Patrick Phillips, Grip : Andy deBruyn, Second Assistant Director : Jeff Okabayashi, Key Makeup Artist : Greg Funk, Sound Editor : Keith Bilderbeck, Visual Effects Coordinator : James D. Tittle, Best Boy Electric : Stephen Beasley, Electrician : Troy Anderson, Stunts : David Alvarado, Set Production Assistant : Meg Beatty, Costume Supervisor : Elaine Ramires, First Assistant Camera : Fred L. McLane, Casting : Ronna Kress, Standby Painter : Thomas V. Johnson, Sound Effects Editor : Brian W. Jennings, Orchestrator : Sonny Kompanek, Set Medic : John Arszyla, Seamstress : Annette Hoffman, Assistant Art Director : Al Hobbs, Music Editor : Bryan Lawson, Screenplay : Leslie Bohem, Assistant Costume Designer : Nanrose Buchman, Art Department Coordinator : Ana Martinez, Set Dresser : Bart Brown, Production Design : Michael Corenblith, Assistant Sound Editor : Steven Gerrior, Steadicam Operator : Tony Rivetti, Rigging Grip : Steve Drake, Construction Foreman : Craig Byrom, Department Administrator : Keri Moorhouse, Driver : Charles Coulter, Executive Producer : Todd Hallowell, Musician : George Doering, Gaffer : James J. Gilson, Additional Camera : Brown Cooper, Storyboard : Mark Lambert Bristol, Screenplay : John Lee Hancock, Art Direction : Dan Webster, Unit Publicist : Ernie Malik, Sound Recordist : Gabriel Guy, Director : John Lee Hancock, Utility Stunts : Austin Anderson, Production Accountant : Chris Silver Finigan, Set Costumer : Laura Hodges, Tailor : James Irvin Gates, Set Costumer : Anna Abbey, Music Editor : Adam Milo Smalley, Assistant Production Coordinator : Lauren Swearingen, Property Master : Don Miloyevich, Screenplay : Stephen Gaghan, Systems Administrators & Support : Simon Walton, Title Designer : John Brian King, Casting Assistant : Courtney Sheinin, Foley : John Roesch, Dialogue Editor : Mark Gordon, Sound Re-Recording Mixer : David E. Fluhr, Hairstylist : Chelsea Carpenter, Scenic Artist : Wendy Bonn, Art Direction : Lauren E. Polizzi, Production Sound Mixer : John Pritchett, Makeup Department Head : Edouard F. Henriques, Production Office Coordinator : Steve Salada, Dialogue Editor : Robert Troy, Still Photographer : Van Redin, Costume Supervisor : Dan Bronson, Digital Compositors : Michael Curtis, Associate Producer : Louisa Velis, First Assistant Director : K.C. Hodenfield, Set Designer : Charisse Cardenas, Set Decoration : Carla Curry, 3D Artist : Glenn Cotter, Production Coordinator : Mika Saito, Costume Supervisor : Mitchell Ray Kenney, Digital Intermediate : Lorene Simpson, Boom Operator : David M. Roberts, Post Production Assistant : Jeff Schweikart, Unit Production Manager : Kathleen McGill, Assistant Art Director : Kevin Cross, Executive Producer : Philip Steuer, Quality Control Supervisor : Kevin Lin, Sculptor : Randy Severs, Transportation Co-Captain : Greg Faucett, Associate Editor : Mark Rathaus, Craft Service : Erick Garibay, Transportation Coordinator : Phil Schriber, Assistant Property Master : Wendy Bonn, Supervising Sound Editor : Jon Johnson, Post Production Supervisor : Susann Jones, Greensman : Raul V. Carrera, Wigmaker : Carol F. Doran, Music Supervisor : Monica Zierhut, Supervising ADR Editor : Darrell Hanzalik, Director of Photography : Dean Semler, Sculptor : Kenneth Garrett, Key Hair Stylist : Thomas Real, Sculptor : Patrick Thornton, Foley Editor : William Jacobs, Lead Painter : William F. Gambill, Producer : Mark Johnson, Script Supervisor : Gina Grande, Gaffer : John L. Lewis, Key Costumer : Javier Arrieta, Hair Department Head : Kim Santantonio, Camera Operator : Mark O'Kane, Sound Re-Recording Mixer : Christian P. Minkler, Armorer : Vern Crofoot, Sculptor : Dewey Rash, Camera Intern : Trevor Doyle Nelson
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